This traditional art boomerang was made out of plywood and painted with Aboriginal art in ochre colors in the late 1950s or early 1960s. This boomerang is stapled to a cardboard instruction sheet. There will be two staple marks on the underside if removed for throwing. This boomerang was originally purchased by Marjorie Gerrish in the 1960s. I acquired this boomerang from Marjorie in 1988. A significant number of Bill Onus boomerangs were damaged by people who threw them on rough ground and/or stored them in poor environmental conditions. Not this one. It is in new condition and it is still attached to the instruction sheet. The instruction sheet is in very good condition, however, there is a small tear in the cardboard at the bottom and corner bumps as expected. I have kept it in an environmentally controlled container since acquiring it. This is a great collectible boomerang made by a very famous Aboriginal craftsman. Please view the photos at the bottom of this web page.

Bill Onus was born in Cummeragunja in 1906 . His father was a drover and young Bill left home at the age of 16. His earliest political activity in 1929 can be traced to Salt Pan Creek, an Aboriginal squatters camp southwest of Sydney containing refugee families of the dispossessed and people seeking to escape the harsh and brutal policies of the Aborigines Protection Board becomes a focal point of intensifying Aboriginal resistance in NSW.

Significant alliances, strategies and future leaders were developed in this camp. People such as Jack Campbell, George and Jack Patten, Pearl Gibbs all spend time in the camp. This led to Onus becoming involved on the fringes of the Aborigines Progressive Association (APA) during the late 1930s. In 1940, after Jack Patten had joined the army, Bill Onus became the secretary of the APA. During the second world war Onus was active in the ALP and trade union circles, at the same time as organizing fundraising concerts in the Redfern Aboriginal community. In 1945 he was a cofounder of the Redfern All-Blacks rugby team.

In 1946 he returned to Melbourne where he became President of the Australian Aborigines League (AAL) and through his involvement with that organization organized support for campaigns such as the 1945 Pilbara strike in WA and opposition to the Woomera Rocket testing range in SA.

In the early 1950s developed and staged a concert called 'An Aboriginal Moomba out of the dark". He was asked by Melbourne's city fathers to provide a name for their new annual civic celebration and he suggested the name "Moomba". There has been considerable controversy of the years since as to whether Onus had fooled the festival organizers as many Aboriginal people have pointed out that "Moom" is a local indigenous word for 'bum'.

In 1952 Onus received an invitation from Walt Disney to visit the USA but was refused a visa by US authorities on the grounds of his alleged Communist associations. This incident is believed to have severely distressed Onus and he overtly changed his emphasis from political to cultural. Not long after being refused entry to the US he established "Aboriginal Enterprises" and opens a boomerang factory and shop in Belgrave on the edge of Melbourne.

He developed an interest in 8 mm film making and among the few surviving snippets of footage he filmed are shots of American film star Harry Belafonte being taught how to throw a boomerang in front of the Onus Belgrave shop in 1958.

In his later years Onus played a crucial mentoring role for his nephew Bruce McGuinness, who would later become one of Australia's most significant Aboriginal leaders in the 1970s and 80s. Onus continued to be politically influential both locally and nationally through his involvement with the Aborigines Advancement League in the 1967 referendum campaign.

Bill Onus died in December 1968. His son Lin Onus would become one of Australia's foremost contemporary artists before his untimely death in 1996.