This Item was Sold on 29 April
2013 for $65
Similar artifacts for sale are often found on the Aboriginal Boomerangs web page.
Historical Pricing information for this item and similar artifacts can be found at: Historical Artifact Prices.
This returning style Australian Aboriginal boomerang was made in the 1950s or 1960s out of a natural elbow with the grain running along the length of the blades. The upper surface is painted with Aboriginal art using traditional colors. There is a stamp on the underside of the boomerang that reads "Queensland Aboriginal Creations". There is also a circular mark on the reverse side of the elbow where a Queensland Aboriginal Art sticker was placed, but that sticker is now missing. Both tips have very minor chips, possibly from test throwing. Most of the damage is not visible on the upper surface, so this would look really nice hanging on the wall. I did not test throw this boomerang. A very nice collectible made when these were constructed properly..
Australian Aborigines are well known for making boomerangs. The majority of the Aborigines had the technology to make throwsticks, or non-returning boomerangs. Only a small percentage of the tribal groups knew how to make true returners and most of these came from the eastern coastal regions of Queensland, New South Wales and Victoria. During the past century, the majority of the Aborigines came out of the bush and were somewhat assimilated into the European man's culture. Many Aborigines began making returning style boomerangs to sell to tourists. The earliest ones were well made out of natural timber and with the grain following the curvature of the boomerang. Today, most hardwood boomerang are cut out of a large board and the grain is usually straight and running parallel to a line spanning the tips of the blades. Boomerangs that are made with the grain following the contour of the blades are much stronger and more valuable. In addition, some boomerangs have good airfoiling. The majority do not. Most "tourist boomerangs" have painted upper surfaces that display Australian animals and decorative lines and/or geometric patterns. Most pre-contact returners have no artwork or the artwork is simple and scratched into the surface. It is easy to tell the tourist boomerang from the valuable ethnographic artifact. However, tourist boomerangs that are made properly with the grain running along the contour and with good airfoiling and art work do have good collectable value, especially if they are made by a famous Aboriginal artists like Bill Onus or Joe Timbery.